Amalija Stojsavljević (Pančevo/ Serbia, 1984) graduated in 2010 in Belgrade with a degree in history of art, after which she worked as a curator and librarian at the Museum of Contemporary Art in Banja Luka (Bosnia and Herzegovina). From 2011 to 2013, she attended World of Art- School for Curatorial Practice and Critical Writing in Ljubljana, Slovenia. In 2017, she enrolled in the Master´s Program in Art History at the Institute of History of Art in Vienna. During 2019 and 2020, she actively devoted herself to learning about project management and cultural funds in Austria and abroad, where
she obtained several certificates in those fields. Among the numerous realized projects that include exhibitions, reviews, essays, festivals, lectures, workshops, she is especially proud of the project Uterus Effects 2020), whose part is the homonymous publication about art, maternity and
reproductive system disease, as well as the exhibition Hand Job- what we know about contemporary non-traditional embroidery (2022) Gallery Remont, Belgrade. She is the founder of the association Kunstentropie in Vienna (2018) and Pančevo (2021), whose goal is to promote feminist and alternative art and culture. From November 2022, she also became a vice president and program director of the association Art Brut Serbia from Belgrade.
(c) Claudia Sandoval Romero